Yesterday, I made the 350 mile round trip to London, just to see a museum exhibition.
Madness, I hear you cry, but if I told you that it was to accept a kind invitation on behalf of the David Bowie is exhibition, then perhaps you can see why I jumped at the opportunity and invested?!
Sadly, being in Manchester, I was unable to make the press preview day at the exhibition, before it officially opened, however, as soon as I had a free weekend to arrange to come and see the exhibition, I got it straight in the diary – it has been almost killing me to see all of the fantastic comments about the exhibition online in the meantime, as a massive Bowie fan, the feeling of suspense was massive!
The exhibition itself was very well thought out, and it was marvellous to see costumes, hand-written notes and experience so much of David Bowie’s music as you wandered around the tour. When you arrive, you are provided with a headset that you just press ‘play’ on, and as you approach specific exhibits, the sound will automatically play in your ear to accompany what you’re looking at – a very nice bit of kit (I also love my tech!).
The museum does operate a timed entry system for this exhibition to try to stagger the number of people (if you’ve ever been to South Kensington, you will know how spectacularly busy these museums get – for the Natural History Museum down the road, the queue to get in was literally about half a mile long) – however for David Bowie is, I struggled to see a few bits just owing to the sheer volume of people, many of whom either selfishly stood right in front of the more intricate exhibits, or, at times, there were so many people in front, it was impossible to progress forward when you wanted to. When we arrived, the crowd from the previous 15 minute slot hadn’t really gotten through the first room, so adding more people to that did cause a little bit of a bottleneck in my opinion. Kudos to the exhibition for thinking to limit numbers by way of timed tickets, it’s just a pity that natural human behaviour seems to rebel a bit against this!
In the interest of fairness, I should stress that I was there on a Bank Holiday weekend/Saturday, and that the systems in place at the exhibit were actually all working, and that there was nothing else that could feasibly be done!!
Personal highlights for me included seeing the costumes themselves, a massive wall of video with additional costumes behind it, experiencing all of the music performances, and (as a child of the 80s, the two things that made me scream a little!!) – Jareth’s crystal ball and crop from Labyrinth!!!
An absolutely fantastic exhibition, and one which was well worth the massive round trip. If you live any closer than I do, then you’ve definitely no excuse not to go and see it!!!! I don’t know what the plans are for it after it closes in August, however I can only hope that it goes on tour as did the Annie Lennox retrospective last year…
I’d love to hear what experiences other people have had of this exhibition, and perhaps even of the great man himself, so do please feel free to leave a comment on this post, and share/encourage your friends to visit the exhibition!
The V&A has been given unprecedented access to the David Bowie Archive to curate the first international retrospective of the extraordinary career of David Bowie.
David Bowie is features over 300 objects including handwritten lyrics, original costumes, fashion, photography, film, music videos, set designs, Bowie’s own instruments and album artwork. On display will be more than 300 objects brought together for the very first time Ziggy Stardust bodysuits (1972) designed by Freddie Burretti, photography by Brian Duffy; album sleeve artwork by Guy Peellaert and Jonathan Barnbrook; visual excerpts from films and live performances including The Man Who Fell to Earth (1976), music videos such as Ashes to Ashes (1980) and set designs created for the Diamond Dogs tour (1974).
Alongside these will be more personal items such as never-before-seen storyboards, handwritten set lists and lyrics as well as some of Bowie’s own sketches, musical scores and diary entries, revealing the evolution of his creative ideas.
David Bowie is, at the V&A 23 March – 11 August, in partnership with Gucci, sound experience by Sennheiser. www.vam.ac.uk/davidbowieis