Jeff Wayne’s Musical Version Of The War Of The Worlds – The New Generation!

Screen Shot 2011-11-18 at 12.12.46

As regular readers may be aware, this morning, I was very kindly invited along to the Press Launch for Jeff Wayne’s Musical Version Of The War Of The Worlds – The New Generation!

To say that I was jolly excited this morning would be something of an understatement!

Simon Mayo was on hand to chair the conference, along with Jeff Wayne, and the brand new Narrator (George Herbert), played by LIAM NEESON! :)

Whilst I already knew about the tour dates, I had deliberately shied away from any information as to the new star that was being added to the production, as I wanted to get maximum impact from the day. All that I can say is that Liam is a FANTASTIC choice for the new Narrator, and that he is probably the only person alive today who could successfully take over the role from Richard Burton – absolutely LOVE Liam’s voice!

With The New Generation, we are promised a lot more in the way of special effects, technology and a ‘re-exploration’ of the original work. From his quote below, you can ascertain why the need existed for the role to be recast, and to be honest, as a fan, I can fully support this notion, and especially welcome the addition of deeper story lines:

“After long consideration,” says Jeff, “I concluded that for future productions, some of HG Wells’ storylines and characters should be re-explored. It would also give me the chance to re-interpret my compositions with the production techniques of today, exciting from a musician’s point of view.

But perhaps the greatest opportunity was revisiting the main character of George Herbert, The Journalist and the development of the love story between George and his fiancée Carrie (played by Anna-Marie Wayne). While it may have been the greatest opportunity, it was also the hardest decision to make because I knew that with a re-developed storyline, a new Journalist would need to be sought as Richard Burton’s original performance, was finite.

“And whoever that person might turn out to be, he would have to be of no less stature and quality of voice than that of Richard – an incredibly tough act to follow.

But once again I have been fortunate and have attracted Liam Neeson to these New Generation productions. He has, so-to-speak, been handed the ‘baton’ from Richard Burton, and I believe audiences and listeners alike will find Liam’s interpretation no less compelling.”

We were also treated to a sample of the holographics that have been recorded for the touring production, and I have to say that they were very impressive. Whilst the holographic head for Richard Burton was a technical feat at the time, I did feel that it was time for this to move on slightly, and with the new holographics that are being used (which includes a full body hologram, interacting with the cast (a world ‘first’ in live entertainment), along with an 11 foot high holographic head, and within the 2 hour CGI film, itself projected onto a 100 foot wide ‘animation wall’), I am very excited to see the technical aspects of this show going into motion.

Of course, one of the most visually striking features of the production is the Martian. Whilst none were (thankfully) running rampant in the conference, we are assured that there will be a “3 tonne, 35-foot tall Martian, firing real flame heat rays at the audience”. There will also be a levitation, and a Martian Fighting Machine will also ‘incinerate’ a cast member – which is cheery! ;)

We were played the end sequence to the CGI section and through that we heard some of The Eve Of The War – for those purists who are worried about a reinvention of the score, I don’t think there is anything to worry about here – it actually really came alive, and I thoroughly loved it! It was VERY hard not to stand up and dance along! I am very excited for the Double Album release that is coming in June 2012, to support this ‘re-exploration’.

The rest of the cast is yet to be announced, and are being held back until 2012, however, already I am super-excited for this new production!

A list of tour dates appears below, in addition to ticket prices for the UK and the like.

Tickets go on general sale on Friday 25th November, at 9am.

Ireland

November 2012

Thurs 29 Nov DUBLIN 02 ARENA

UK

December 2012

Sat 1 Dec LIVERPOOL ECHO ARENA
Sun 2 Dec CARDIFF MOTORPOINT ARENA
Tue 4 Dec NOTTINGHAM CAPTIAL FM ARENA
Thur 6 Dec LONDON WEMBLEY ARENA
Fri 7 Dec BIRMINGHAM NIA
Sat 8 Dec MANCHESTER EVENING NEWS ARENA
Sun 9 Dec SHEFFIELD MOTORPOINT ARENA
Mon 10 Dec NEWCASTLE METRO RADIO ARENA
Tues 11 Dec GLASGOW SECC
Thur 13 Dec BOURNEMOUTH BIC
Sat 15 Dec LONDON O2 ARENA
Sun 16 Dec BRIGHTON BRIGHTON CENTRE

UK Ticket Prices (all of which are subject to additional booking fee):

£62.50 / £52.50 / £42.50  LONDON

£62.50 / £42.50   REGIONAL

Netherlands

December 2012

Wed 19 Dec ROTTERDAM AHOY ARENA

Portugal

December 2012

Sat 22 Dec LISBON PAVILHO ATLANTICO ARENA

Germany

January 2013

Thurs 3 Jan HAMBURG ARENA
Fri 4 Jan OBERHAUSEN ARENA
Sat 5 Jan BERLIN 02 ARENA
Mon 7 Jan NURNBERG ARENA
Tues 8 Jan MUNICH ARENA

Poland

January 2013

Thurs 10 Jan GDANSK ARENA

Spring Awakening to tour the UK!

This news has absolutely just made my day – I’ve just accidentally shoved my sandwich off my desk and onto the floor in my excitement and rush to post :D

Can’t begin to explain just how excited and happy I am (*squee!* hehe) – most of the West End community have been clamouring for news of a tour for this amazing show, and it seems that Christmas has come early for us thanks to theatre production company, Sell a Door, who are mounting a brand new touring production of the show.

Further details are to be announced in the new year, however I’d hope to get chance to see this at either the Greenwich Theatre or Lowry for sure! :D

Here’s the full press release below:


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Multi Award winning Sell a Door Theatre Company are to produce the first ever UK tour of Spring Awakening, a rock musical adaptation of the controversial 1891 German play of the same title by Frank Wedekind

The company announced on Wednesday 1st December that the tour, which comes a couple of years after its west end debut, will visit theatres across the UK.

Producer David Hutchinson says “This is a very exciting project indeed, following great success on Broadway and on the West end. I’ve been a huge fan of the production since I saw it in New York in 2008, it is a timeless coming of age tale that will impress audiences for many years to come. Sell a Door are currently putting together a dynamic creative team to lead the UK debut tour”.

A cult musical, Spring Awakening explores the confusion and desperation that ensue when the onrushing tide of hormones meets the ignorance of children raised by parents too embarrassed or prudish to discuss what those new urges signify.

Spring Awakening has proved its popularity worldwide winning eight Tony Awards in 2007, including best musical, best book and score, four Drama Desk Awards and four Olivier Awards for it’s London production.

The tour is to visit the following theatres with tickets on sale for many of the venues already.

Northcott Theatre, Exeter (17th-21st May 2011)
Pleasance Theatre, Edinburgh (24th & 25th May 2011)
MacRoberts Art Centre, Stirling (26th-28th May 2011)
Greenwich Theatre, London (7th-12th June 2011)
Lowry Theatre, Manchester (14th & 15th June 2011)
Norwich Playhouse (17th & 18th June 2011)

More information can be found at www.selladoor.com

Kerpow! Batman Live – UK Tour

I am unbelievably excited about the news that there is to be a live show featuring the caped crusader, which will be  hitting UK arenas in the summer of 2011 :D

The below article was filed by Whatsonstage’s Andrew Girvan and tells you everything that you need to know, all sounds jolly amazing! They’re tending to do several nights at each venue.

Tickets go on general sale from Friday, with certain presales occuring on Thursday. Prices range from £20 up to £45 and a booking fee will usually be applicable.

*squee!*

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Kerpow! Batman Live

Spider-man will not be the only superhero to have their story brought to the stage, with today’s announcement of Batman Live, a large-scale arena tour which will bring the DC Comics’ character’s adventures to live audiences across the UK next summer.

Although a familiar character to cinemagoers, with string of Batman films gracing the big screen as far back as 1943, the touring production will be the first time the Dark Knight has been seen on stage.

The show, which will feature an original story line, is directed by t whose choreography credits include Mamma Mia!, Sister Act and Bombay Dreams. He is joined on the creative team by co-director James Powell whose previous directing credits include Les Miserables, Mary Poppins and Dirty Dancing.

Opening at Manchester’s MEN Arena on 20 July 2011 and visiting Newcastle, Glasgow, Sheffield, Birmingham, London, Liverpool, Nottingham and Dublin, the tour will end its run at Belfast’s Odyssey Arena with producers hopeful that the production will transfer to North America in summer of 2012.

The live show will feature a number of familiar DC Comics characters with Batman and sidekick Robin, as well as butler Alfred battling against villains such as The Joker, The Riddler, Catwoman and The Penguin. The story will take place in several settings which will be familiar to comic book fans including Gotham City, Wayne Manor, the Batcave and Arkham Asylum all brought to life with “impressive stunts, pyrotechnics, illusions and video screen sequences.”

Batman Live will have circus sequences created in association with Circus Space, the UK’s National Centre for the Circus Arts. Aerialists Juliette Hardy-Donaldson and Bryan Donaldson will act as circus consultants.

The show is produced by Warner Bros Consumer Products, DC Entertainment and Nick Grace of Water Lane Productions. Grace’s previous producing credits include being associate producers of the international tour of Mamma Mia!, which has visited 29 countries and been seen by more than 3.5 million people. Batman Live has set design by Es Devlin, music composed by James Brett, sound design by Simon Baker, lighting design by Patrick Woodroffe, video direction by Sam Pattinson, costume design by Jack Galloway.

The $65 million Broadway production of Spider-Man: Turn Off the Dark, written by U2′s Bono and The Edge, has been beset by problems, which have seen the musical’s opening slip from February 2010 to January 2011. Helmed by Tony Award winning Lion King director Julie Taymor, problems with the production’s two dozen flying maneuvers have seen opening dates for the world’s most expensive musical repeatedly pushed back, in spite of $8 million in reported advanced sales.

- by Andrew Girvan

Scissor Sisters cancel mainland European dates

It’s not very often that I blog about the kind of stuff that keeps me occupied during the day (and I hasten to add that I have no insider knowledge on this whatsoever), however the announcement today that Scissor Sisters have been ‘forced’ to cancel their mainland European dates (not UK) due to ‘lack of funding’ has me somewhat alarmed!

We’re sorry to announce that Scissor Sisters have been forced to cancel their upcoming shows on mainland Europe. Due to funding issues, it has become impossible to make the tour work financially. The band are very disappointed, but it is beyond anyone’s control.

Said the band: “We’re saddened to discover that we are unable to play our scheduled tour dates through Europe. We’re genuinely sorry about this frustrating situation. We’ll try to make it up to you and return to these beautiful cities soon.”

Refunds are available from the point of purchase for all nine of the canceled shows, which were due to take place between 29th October and 14th November.

All other upcoming Scissor Sisters dates, including December’s UK arena tour, remain unaffected.

Of course, it could all be nothing, but given that the Scissor Sisters are signed to a major record label (Polydor), and they’ll be working with a tour promotion company, whose job it is to front the cash for the initial production costs (which they then recoup once the tour sells tickets), you’d have thought that a lack of available funds would be the very least of their problems – indeed, I have never come across a tour cancelling so openly for these reasons before.

One can only presume that perhaps the Europeans aren’t Scissor Sisters like those of us in the UK and US are, or else that promoters over in Europe are still being hit pretty hard by the recession and financially unfavourable agreements with retailers and outlets.

So long as it’s not a rift in the band, I’m happy – but it does open up a bit of a worrying precedent…!

[YOUTUBE=http://www.youtube.com/watch?v=NnGNQ8DAGrE]

Kylie Tour 2011

…. GOES ON GENERAL SALE ON MONDAY 13th SEPTEMBER 2010 @ 9AM!

WHOOP! :D

Kylie is playing dates at both the MEN Arena in Manchester, and the O2 in London during in April 2011 – tickets are priced at £85 and £65 each. She is also doing the SECC in Glasgow at the end of March.

How exciting… I’m already polishing up on all the new dance moves and dusting off my flashy pink bunny ears! :D

Review of Michael Jackson’s “This Is It”

First off, I would just like to state that I write this review as a ‘normal’ fan of music, and of many artists, including Michael Jackson.

I am not one of those people who gets hysterical at the mention of his name, and I am not one of those people who worships absolutely everything that MJ did; I am just your average Joe. I say this, as I am most likely about to rave over this movie, and although it’s a little sad that I feel the need to say this, I would like for people to see that I went to the movie with an open mind and am not just gushing for the sake of it! I genuinely enjoyed watching it.

So, now that’s said, let us begin :)

michael-jackson-this-is-it-movie-poster

Myself, Tom and Carlos went to see ‘This Is It‘ on the first evening at Greenwich (UK) IMAX (and opted for Premium Seats) – in theory, giving us the best seats for this in the country! Oh, and yes, I did stay up until Midnight on the 27th September to book them! :)

All three of us thought that the movie was absolutely fantastic, and I think I can safely say that we all left the cinema thinking that the shows at the O2 would undoubtably have been the shows of his career (and the best we’d ever seen!). For me, saying that is quite something as, due to the nature of my job, I get to see a lot of concerts and shows, definitely more than your average person I reckon.

(I recommend watching the trailer in full screen HD – it’s awesome!)

What Sony/AEG have done is to stitch together an awful lot of rehearsal footage and essentially recreate the concert that never was. As you would expect, not all of the shots are of cinematographic quality and there is little in the way of narration, but then, we know this is not what the movie is about. In fact, the movie barely mentions Michael’s death, and they have seemingly resisted the urge to make it overly poignant and soppy. This film aims to try and showcase the potential that ‘This Is It’ had for you and me, as audience members at the O2 Arena, to see had we been sat there with 20,000 other people – it is not a documentary.

I have seen a lot of negative reviews in the British media, with many people saying that they hated it and that it was clearly rubbish as “MJ didn’t even look close to death” (erm, hello, drug overdose/heart attack!). They also do not seem to have grasped the concept of the movie, which is somewhat annoying. The media seem to be jaded against anything that is being released by The Michael Jackson Company at the moment -  I guess it is easier to be critical/cynical than supportive / open-minded at this time.

Michael-Jacksons-This-Is-It

Anyway, I have rambled, sorry! I just don’t want people to be taken in by all of the 2 and 3 star reviews that are out there which are based on ‘This Is It’ as a documentary/bio-pic and not as it being clips of rehearsal footage of a concert. I disagree with the notion that “MJ’s vocals and dancing abilities had clearly deteriorated” – the guy was at a fairly relaxed rehearsal, and was also taking in all aspects of the show itself at the same time, so wouldn’t have given the singing/dancing 100%! He seems to have put an awful lot of effort in, especially considering these were just preliminary rehearsals, and I doubt you’d have gotten footage anywhere near this intense/professional had it been a rehearsal of any other artist.

What really comes across in this movie is the attention to detail that MJ had for his craft. Every minute detail seemed to be scrutinised by him, and it was clear that he was always very conscious of giving the audience a show and knew exactly what they wanted. He was the ultimate showman, and I would say that he was on par with the great Freddie Mercury. I think that he had put a lot of pressure on himself for this show, however I think that this would have been true of any tour that he was working on – he came across as being a bit of a perfectionist. To his credit he could have said ‘I’m Michael Jackson, they’ll love me anyway’ and put a whole less effort in. What I also came to respect was that MJ was really the one who put the tour together – Kenny Ortega came across as a bit of a ‘yes-man’ and I would go as far to say that MJ was definitely the person inputting all of the creativity into the partnership, and seemingly retained total control over proceedings.

A few people are saying that MJ came across a bit of a diva in his quest for perfection due to a few recorded moments shown in the movie. It’s sad that they can’t recognise these as also being endearingly funny moments. The best of which was when MJ had the ear feed blaring down his ear, and he stopped the performance and whined ‘It’s like it’s fisting my ear’ and then proceeded to do several fisting movements, at force! LOL! It was moments such as these, that made the audience chuckle and added some humanity to the rehearsal in my opinion. Yes, he’s having a bit of a strop, but in a lovable ‘oh Michael’ kind of way. You know that when he watched it back (if indeed he ever did – the rehearsals were originally recorded as footage for his personal archive) that he would have giggled a little too. Two other bits that will stick with me include when he was on the mechanical arm and Kenny has to shout ‘Michael, please, HOLD ON!’, and also when MJ’s eyes suddenly light up and he randomly shouts out ‘burn it!’ heh. The moment with the “Well… I’ll just feel it” and the subsequent (but petulant) compromise to have video screen off-stage instead on the cue to start singing on Smooth Criminal also made me chuckle.

The show would have been a technical triumph in my opinion. All of the pre-recorded CGI / 3D shots looked really good, and the new staged version of Thriller looked simply stunning. Surprisingly, it seemed to be Michael pushing the boundary, especially with things such as his choice of clothing for the show (they should have shown us!), and I think that it gives a small glimpse of just how well he was able to keep up with the times and breaking/emerging technology to ensure that he put on a truly sensational show.

I was very pleased to see all my favourite tracks on the set list (Beat It, Smooth Criminal, They Don’t Care About Us, Heal The World), though it was a pity my other favourite ‘Leave Me Alone’ wasn’t on the bill. It goes without saying that I enjoy Thriller, Man In The Mirror, Billie Jean, Earth Song et al very much too, just those mentioned are my absolute favourites!

The audience in the cinema were largely receptive, and often applauded. If you want to see every last second, there are a few more clips right at the very very end (but you have to look silly by sitting in the cinema on your own with the cleaners working around you, as everyone else WILL leave heh!).

I have been fairly close to the tour since MJ’s death due to my employment, and it was especially nice for me to get a glimpse of what is currently causing me a lot of stress and late nights. I mean that in a nice way though, seeing this footage definitely makes it all worthwhile, it genuinely does. We even get a thanks (by extension) in the credits, hurrah!

MJ This Is It

It will remain one of pop music’s biggest tragedies that this show was never seen in full by anyone, however I think that the decision to release this footage as a movie was a great one. Forget about it being released to make money (the world is largely a capitalist one; you can’t criticise Sony / AEG for doing this in my opinion), it was a release that I think that the fans needed, and fans of live entertainment would have been dismayed not to have seen. It was great to see Michael relaxed in rehearsals, and not acting for anyone or being a showman for the massive crowds, though his personal wardrobe was admittedly garish heh! A great 111 minutes, and I will definitely be purchasing the DVD of the movie, and watching it time and time again!

I’d like to close this post with the final paragraph of a review piece by Sitafa Harden and published on DigitalJournal.com (I’d recommend checking out the full review – I agree with this person’s sentiments exactly – especially regarding the ‘lack of interest’ that people seem to have over the release of ‘This Is It’):

This film left no doubt that if Jackson’s final show had gone on it would have been a glorious success. For his fans that realization was bittersweet. Some cried. For 111 minutes he was alive again. And when the movie ended, most of them remained in their seats watching all the credits until finally the screen went black, wishing and hoping there would be just one more clip or sound bite. But, sadly, regretfully, finally…that was it.

MJ – This Is It – Movie Tickets Booked!

Previously, I blogged about the trailer that was released for ‘This Is It’, the Michael Jackson documentary/film that is coming out on October 28th.

(I recommend watching the trailer in full screen HD – awesome!)

Following on from seeing the trailer, a few friends and I decided that we simply had to go see this, so I stayed up until midnight Sunday to book on a local cinema’s website.

Booked us in for a cinema in Greenwich, London, which is just outside the O2 Arena – kinda apt really! The showing that we’re booked into will be on the first evening and is on an IMAX screen with ‘superior digital sound’, plus we have Premier class seating – woo – the only way to see this, I’m sure!

As an aside, I really disliked the confusion that surrounded the release of the tickets for the movie – it caused me no end of headaches, and I don’t see why cinemas couldn’t have been allowed to have announced listings the day before, for example. Plus, several cinemas had tickets onsale on Saturday afternoon (wrong 12:01 I guess!) and all had tickets on at 23:55!

Hopefully ‘This Is It’ will live up to the hype, for now I remain most excited!!

michael-jackson-this-is-it-movie-poster

MJ – ‘This Is It’ – Official Movie trailer

On October 28th 2009, the rehearsal footage of Michael Jackson’s: “This Is It” tour will hit cinemas, with showings expected to be limited to two weeks only.

Tickets will go onsale on September 27th 2009.

Last night at the VMAs, they aired the trailer for the ‘movie’:

[YOUTUBE=http://www.youtube.com/watch?v=cyrkcz7msfY]

I have to say, this looks awesome (and like it would have been one of the best concerts EVER!) – I will definitely be trying to get to see it!

Below is the movie poster for the film (which is equally as fab!)

michael-jackson-this-is-it-movie-poster

It’s just a pity that the tour was named as it was really, as it has now become unintentionally but poignantly apt.

It is rumoured that the film will be an impressive two and a half hours long!

I also stumbled across this advertisement from March 2009 on ITV1 for the tour – which was the longest piece of airtime ever purchased by an artist!

Kylie – Can’t Get You Out Of My Head

I was watching “Kylie, Live In Sydney” last night, which is a DVD copy of her ‘On A Night Like This’ tour from 2001, which was  pre-Fever album.

I was taken by the fact that nobody even batted an eyelid when she introduced them to ‘Can’t Get You Out Of My Head’ – a then unknown song, which we all know then went on to take the World by storm!

It was really weird to see the song performed without the hysteric reactions that the song draws these days… eerie even!

Hairspray UK Tour (2010) to star Michael Ball

Marvellous news about the UK tour of Hairspray – I genuinely can’t think of anyone better than Michael Ball to lead this production! Despite having seen this about 7/8 times in the West End now, I will definitely try and see this at a regional theatre too! :D

Below is a rather good article published in The Stage which gives further details:

Ball to lead UK tour of Hairspray in 2010

Published Monday 10 August 2009 at 15:14 by Alistair Smith (The Stage).

Michael Ball will lead the cast of the new touring version of West End musical Hairspray, the show’s producers have announced.

A new production of the show – in addition to the London stage version at the Shaftesbury Theatre – will tour the UK from April 7, 2010, when it will open at the Millennium Centre in Cardiff, before visiting Glasgow, Southampton and Manchester. Ball will appear as Edna Turnblad at these venues with further star casting for future tour dates expected to be announced shortly.

The tour also marks the first stage of a “closer working relationship” between Ball and producer Stage Entertainment. This will involve developing new work and roles both onstage and in a production capacity for Ball in the future, including a major, but as yet unnamed, musical revival in 2011.

Ball said: “I knew when I originally took on the part of Edna that she was going to be a big part of my life, in every way, but I never realised just how big. Hairspray is truly one of the greatest experiences of my career and the chance to have just a few more nights in those frocks was an opportunity I couldn’t miss! With so much on I’m unable to do all dates but I promise that we’ll have some brilliant performers lined up for our UK tour. Moving forward, to now be working as an associate producer with Stage Entertainment developing new shows, new roles and new opportunities in the future is an honour, and something I can’t wait to get stuck in to.”

Producer Adam Spiegel added: “We are over the moon that Michael has agreed to launch the Hairspray tour for us. The show has been a huge success in London, not to mention around the world, and Michael has been a big, big part of the Hairspray story so far. It’s doubly exciting that not only do more people around the UK now get to see his gorgeous Edna Turnblad, but we as a company get to work with Michael more closely than ever behind the scenes as we develop new work together.”

Hairspray’s West End staging at the Shaftesbury Theatre in London recouped its capitalisation in 29 weeks. The show opened in October 2007 and won Best Musical at the 2008 Olivier Awards, as well as Best Actor in a Musical for Ball. It is now booking at the Shaftesbury until October 2010.

UPDATE: The touring cast has been confirmed as:

Full casting has been announced for the national tour of Hairspray, which kicks off at the Wales Millennium Centre in Cardiff on 7 April 2010 (previews from 30 March).

Joining Michael Ball, Michael Starke (replacing Phill Jupitus) and Brian Conley, who will alternate in the role of Edna Turnblad are: Les Dennis (Eurobeat) as Wilbur, Danny Bayne(Grease is the Word) as Corny Colllins, Liam Doyle (High School Musical 2) as Link Larkin and Laurie Scarth as Tracy Turnblad.

Other cast members include: Sandra Marvin (Motormouth Maybelle), Gillian Kirkpatrick (Velma Von Tussle), Wayne Robinson (Seaweed), Emma Dukes (Penny Pingleton), Clare Hulse (Amber Von Tussle) and Seliza Sebastian (Little Inez).

Following Cardiff, the tour continues until 9 January 2011 to Glasgow, Southampton, Wolverhampton, Leeds, Manchester, Plymouth, Liverpool, Sunderland, Milton Keynes, Oxford, Birmingham, Dublin, Bradford and Edinburgh (See News, 10 Aug 2009).

The current West End production of Hairspray finishes at the Shaftesbury Theatre on 28 March 2010.