REVIEW: The Phantom Of The Opera (Her Majesty’s Theatre, London)

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Oh. My. Gosh!

Regular readers of my blog will know that I am something of a musical theatre obsessive, however, tonight was my first time seeing The Phantom Of The Opera actually on a stage in front of me (a shocking revelation, right?!). I came out of the performance this evening and I was actually shaking. Seriously. Despite all my years of amassed musical knowledge, and the vast range of productions that I’ve sat through in my time, I can hand on heart say that The Phantom Of The Opera has totally revolutionised and changed the way that I think about musical theatre, just at a time when I though there was nothing more that could really excite me at present. Even in its 26th year, it still holds that magical power, and you really have to see the show before you to appreciate the true beauty and spectacle of this absolute masterpiece!

The production appears to have benefited well from the 25th Anniversary Royal Albert Hall production, though I really must stress that watching the DVD of this alone is simply not enough! :P

The staging itself was absolutely BREATHTAKING. We had the benefit of being in row H of the stalls, and so everything appeared ‘seemless’ and my eyes popped out of their sockets several times – especially during the Lair scenes, which were even more fantastic than I’d previously seen on the DVD or in photos in books etc. We were also directly under the chandelier, and I tell you now, when that bad-boy is hurtling towards you (they’ve sped it back up again now) then you instinctively duck for cover and yelp a little bit! Amazing!

I was fortunate to be taken to the show by my pal Paul, who actually saw the very original cast, in its first ever week – how amazeballs is that?! He was very surprised to find that absolutely nothing has really changed in the time since – something which amazes me, as the production looks so fresh, and, even now, 26 years on, it is still able to blow my mind, despite all I’ve seen on the stage before! I cannot imagine just how revolutionary this must have been back in 1986.

The orchestra was simply devine. I had goosebumps throughout the production; not just where I normally look for them (Overture, and The Phantom Of The Opera), but in parts of the score where I never usually get them! Absolutely nothing compares to hearing this score played live, and, though the word ‘masterpiece’ is bandied about a lot with this show, it is a very suitable word. This score is one of the ones that really made me get into musical theatre as a kid and regard Andrew Lloyd Webber so highly (I even used to help moderate the official RUG and Phantom message boards), and I genuinely cannot think of another score which moves me as much as this one does.

The ultimate treat was that the Phantom is currently played by musical theatre stalwart Earl Carpenter. For those who read regularly, you’ll know that this is going to be my last West End show for quite some time, as I’m moving back to Manchester on Saturday, and so Phantom was the one show that I desperately needed to see before I went, and, prior to tonight, Earl Carpenter was the only West End legend that I had yet to see before me on a stage. That the two massive desires that I had desperately wanted to fulfil prior to my leaving the West End behind (a massive deal for me!) were made true on the same night will stay with me forever I think (also in keeping with the advertising strap line ‘remember your first time…’ too, ha!). It was made even better as I didn’t even know that Earl Carpenter had returned to the show in advance of my attendance this evening – I only found out at the end! (I had a bit of a Phantom style revelation myself it seems haha!)

Several times, and owing to our proximity to the stage, I found myself staring right into the Phantom‘s eyes, and he chilled me to the core – I had to keep breaking my gaze! The depth of emotion that Earl Carpenter was able to convey was magnificent, and I’m not ashamed to say that come the end of the show, I was in floods of tears! Such a beautiful performance.

Sofia Escobar as Christine was an absolute find. I may get shouted down for saying this, but her voice was even more perfect, for me, than that of Sarah Brightman, who the role was written specifically for! Perfect look for the role, an astonishing voice for someone who is fairly fresh to the wider world of musical theatre, and I really hope that she stays with the production for a long time.

Killian Donnelly as Raoul was fabulous. Raoul is that slightly simpering second male lead role that I usually find it hard to attach to in a musical, however in this case, Donnelly totally grabbed Raoul and gave him a decent pair of bollocks, and completely sold the role to me! Really enjoyed his performance.

I cannot discuss the cast without mentioning Wendy Ferguson’s Carlotta – I genuinely cannot imagine anyone more suited to the role. A gorgeous voice, a fantastic way of portraying the role, and I love just watching her, even if she’s not in the foreground. She’s secretly my favourite! :P

You only have to flick through the programme to see what a wealth of musical theatre royalty is in the current cast – everyone has really fabulous experience in the field, with many people previously appearing in significant roles that I really look up to!

I genuinely, genuinely cannot implore you enough to go and see this show, I guarantee that you will not regret it. I’m not normally a fan of the premium seating model, however for this show, I would definitely recommend those seats, and in fact, for the 25th Anniversary touring production, soon to be in Manchester, I am insisting that Max and I splash out on the premium seating!

I thought that no musical could ever affect me in such a significant way again – I thought that I’d seen all that the West End had to offer, and was ready to face the final curtain, and retire a contented man; especially as I thought I knew what I was getting tonight. However, seeing this show, in the ‘flesh’, has totally reignited the passion that I have for musical theatre, and I now find myself wishing that I could see this show a couple more times before I leave; if only!! For a show to do this, and totally blow my mind, it has to be worth a look, right? :D

The Phantom Of The Opera is playing at Her Majesty’s Theatre, and stars Earl Carpenter as The Phantom up until 17th March 2012. For further information, and to book tickets, please visit the show’s official webpage.

#TrafalgarSun – I got a mention on the Londonist – wh00t!

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My twitter account was [very briefly] quoted on the Londonist website earlier owing to my contribution to #TrafalgarSun – whoot! :P ha!

Yes, yes, it is only a fleeting mention, however the Londonist is an awesome site, and it’s great to get a mention, no matter how small! Ha!

Whilst I quite like my pictures, using a camera phone in the pre-dawn light was always going to be a challenge, no matter how good the phone. The picture that the Londonist got is simply stunning!! :D

IMAGES: Trafalgar Sun – 23 Jan 2012

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This morning, I got up illegally early to see an art installation, called Trafalgar Sun, which has been set up in London’s Trafalgar Square, commissioned by the Tropicana juice people, as part of their new ‘Brighter Mornings’ campaign, and built by UK art collective Greyworld. Apparently, it is visible from Space!

I decided to head on down, based on the previous popularity of this real life Trafalgar Sun style photo that I shot just before Christmas 2011 – plus, I am always intrigued by some of the art that goes on display in Trafalgar Square, especially that done on a grandiose scale, for all to see.

Here are a few of my pictures (I used camera effects on only the white and the blue one):

(Click any to enlarge – please credit these back to http://garidavies.me.uk if you use them anywhere! :) )

A great art installation, and well worth the 05:20 wake-up call (my images were taken around 07:15). They’re there until around 19:33 this evening (three hours after sundown), and so if you’re out and about in the West End, this is well worth stopping by to see – with the equivalent light as that coming off of 60,000 light bulbs, it literally lights up the whole Square!

MOVING ON UP: T-Minus 7

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A daily video blog documenting my last 20 days in London before I move back to Manchester on Saturday 28 January 2012.

Saturday 21st January 2012.

There is also a MUCH better still image coming too once YouTube updates its servers properly ha!

Sorry, in this video, not only did I prattle on with myself, but also YouTube has cut off the bottom of the video, so it hasn’t centred me!

If you want to keep up to date with what’s happening, do please follow my blog (there is a button at the bottom of the page).

Thanks to all for your continued support and interest!

Gari x

So… I’ve now been to Harley Street!

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… with only 8 days to the move, now has proven the time for me to get all of those ‘must dos’ out of the way in London, and whilst it sounds fantastically glamorous, I have to say that visiting a Doctor on Harley Street was NOT on my to-do list!

Regular readers and friends will be aware that I suffer from a condition called Hyperhidrosis.

(I’d really recommend http://www.hyperhidrosisuk.org/ if you feel you may be suffering from this or need further support with this condition)

Before you read the rest of this post, it’d be incredibly beneficial to read my previous post on the subject, and the funding cuts that have adversely affected my usual treatments.

Today, after two months of continuous ‘suffering’ from this condition after my last treatment wore off, and which also, incidentally, marred my Christmas, I finally had to cave in during a moment of desperation and get private treatment for my condition.

At a limited time ‘cut price’ rate, I had to pay £324 for Botox injections to my underarms, to help me deal with what is a widely recognised medical condition by the NHS. Normal price on the Private market is around £495 per treatment. Typically, you need two treatments per year.

Whilst I appreciate that Botox is an expensive treatment, if the NHS were to actually limit it to the more severe cases, of which I would qualify, they would protect the service for those who actually need it. More and more hospitals in the London area have pulled funding for these treatments, and now there are just one or two left, and a waiting list in excess of five months simply isn’t good enough! I’ve yet to see what the state of play is up in Manchester, however a quick Google of the services offered at Dermatology clinics across the NHS indicates nothing (fairly common across the UK, to be honest).

Simply, I cannot afford to keep dipping into my savings each year to fund this. This totally has to be just a one-off, and I now find myself with the very worrying prospect of needing further treatment in 6-9 months, and not being able to access anything. I move next week, and from then, I have 6 months to find somewhere, before I run into trouble again. Northern GPs are likely to be less sympathetic, I would imagine, so I am expecting to get absolutely fckd over by this, if honest.

The Doctor who I saw on Harley Street actually said that at the moment they were offering it at near cost price, as their board of Directors thought that the withdrawal of the treatment by the NHS was, frankly, scandalous and thus they saw themselves as providing a service to the man on the street. As you’d expect, their patient rate has gone haywire, and people are apparently beating their door down. It may have been spin from a Private sector Doctor, but I doubt it, as I went in there fully convinced and ready to pay up, and he knew that! He also said that, generally speaking, the profit margins (even at full price) on these treatments were absolutely tiny – it genuinely is that expensive.

It angers me that I don’t particularly lean on the State for anything in my life, bar this, and that the ever-increasing National Insurance payments that I (and we all) make are clearly not being collected or apportioned properly if the NHS are making cuts to services rather than bureaucracy. I certainly don’t begrudge the NI charge, and far from it (I’d happily pay more if it were ring-fenced and directly helped improve front-line services), but when services are being cut and the door slammed in people’s faces in this manner, it just isn’t right! During this latest period, I was feeling so depressed, and other issues flared up. You’re robbing Peter to pay Paul, and thus not saving any money. In the long-term, you’re probably costing more to the NHS by failing to address the root cause! Even if the NHS were prepared to contribute a small amount to fund these treatments privately instead, with the patient left to pick up the difference, that would be a massive help.

I know that there will be people thinking that in times of austerity, that this is something of a luxury, and I cannot stress to you how wrong this idea is. If you had any idea just how much this destroys life as you know it, you’d come to see this for what it is, rather than something trivial. It has cost me a fortune in new t-shirts and hoodies in the last two months whilst I try to deal with this, and emotionally, I am drained.

All that said, the clinic that I went to were absolutely fantastic – same day service, and they weren’t stingy with the injections (you have around 15 in each area… again, not as glamorous as people say it is, it hurts!!) – so this time, I had a lot of Botox (one benefit of going Private!). The whole experience was so much better, and frankly, you get a much more qualified person doing it, who is a specialist in the area, and really knows his stuff. If I had the money, I’d go back again in a heartbeat! Whilst I do really champion the NHS, I have had a very mixed experience with them in the administration of my prior treatments.

The service was amazing, and from the moment I went into the grand waiting room (see below), I caught myself thinking that I could never go back to the NHS ever again!! ha! ;)

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So yeah, there you have it – I’ve now seen a Doctor on Harley Street! How glam am I?! ha!

It felt rather Victorian, terribly grand and slightly macabre to be seen dipping into one of the imposing houses on Harley Street for untold processes, especially knowing that all up and down the street, loads of secret procedures were also going on behind closed doors!

Now, if anyone happens to know a sugar-daddy who can slip me a couple of hundred in six months time, that would be fantastic! Also, if any companies would like to offer corporate sponsorship, I would totally shave your logo into my underarm hair! ;) #justsayin ha!

In all seriousness though, this is a serious problem for me, and moving to Manchester represents a huge and scary void on this aspect, as I have no current idea as to service provision up North, and there is simply no way that I can afford £500 to go privately once again. I genuinely have no idea what I am going to do, and for now, I simply cannot even think about it – it upsets me quite a lot!

My message remains the same Mr Lansley – pull your act together, and start sticking to the promises that you and your cronies made in the Manifesto. No cuts to the NHS. 

All I want is a Welfare State that actually gives a flying fuck about my welfare. The clue is in the name, and when we’re talking about a service that directly affects all 65 million of us, NHS cuts are far from trivial. Sort it out, stop being frivolous with public money and allow the NHS to be able to dig deep!

MOVING ON UP: T-Minus 16

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A daily video blog documenting my last 20 days in London before I move back to Manchester on Saturday 28 January 2012.

Thursday 12th January 2012.

There is also a MUCH better still image coming too once YouTube updates its servers properly ha!

If you want to keep up to date with what’s happening, do please follow my blog (there is a button at the bottom of the page).

Thanks to all for your continued support and interest!

Gari x

Oh, and ‘Moving On Up’ is my ‘move’ song, in case you’ve not caught this yet :P

MOVING ON UP: T-Minus 18

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A daily video blog documenting my last 20 days in London before I move back to Manchester on Saturday 28 January 2012.

Tuesday 10th January 2012.

If you want to keep up to date with what’s happening, do please follow my blog (there is a button at the bottom of the page).

Thanks to all for your continued support and interest!

Gari x

Oh, and ‘Moving On Up’ is my ‘move’ song, in case you’ve not caught this yet :P

MOVING ON UP: T-Minus 19

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A daily video blog documenting my last 20 days in London before I move back to Manchester on Saturday 28 January 2012.

Monday 9th January 2012.

You will have to forgive my tired ramblings, for it is late and I have giraffe to attend to! There is also a MUCH better still image coming too once YouTube updates it’s servers properly ha!

Promise that it will be less boring as time goes on, and the updates will be far shorter (and I’ll be far less tired/more cheery) heh!

If you want to keep up to date with what’s happening, do please follow my blog (there is a button at the bottom of the page).

Thanks to all for your continued support and interest!

Gari x

Oh, and ‘Moving On Up’ is my ‘move’ song, in case you’ve not caught this yet :P

Happy New Year!

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Happy New Year to all my friends, and readers of this blog!

Last night, we had an awesome roast dinner (thanks Max!) and then went outside to watch the London Fireworks (I am very lucky to live within direct sight / only around a mile away from the Houses of Parliament and the London Eye).

New Year Fireworks in London to ring in 2012! We were stood on a little beach on the Thames near where I live, thanks to low tide, and a dry bank, and had the best view/most magical atmosphere you could ever want – BEST NY EVER!!!! ^_^

Have a fantastic 2012 folks, and remember, it’s only 359 days until Christmas! ^_^